Materials: aluminum, hardcover books, basic stamp, power supply, solenoids, solid
state relays, CCTV camera, Macintosh computer, MAX/MSP 4.07, and softVNS.
Dimensions: 16 sculptures total;
12 x 12 x 9 inches each.
Up to 1000 sq. feet when installed as a group.
Photos: Jeff Callum
Gallery TPW, Toronto, Ont.
Reviews for "Book
Globe & Mail
at the Centro Nactional de las Artes, (Centro Multimedia), Mexico City.
response #1' is an interactive installation of 16
books, spread open on the floor in random clusters. As the viewer approaches,
the books closest snap shut, while those slightly farther away remain open,
their text just out of visual range. Like a bed of clamshells or cats that invite
you to rub their soft bellies - they pull away when you come too close. As
the viewer wades into the flock of books, the ones that had first closed, reopen.
books slam shut many of our feelings towards information and technology might
be triggered. These machines have perhaps decided to treat us as a child,
censoring the access to knowledge and limiting the amount of information we
are allowed to digest. Or, they could also be acting out of consideration;
perhaps sensing that exposure to too much information could cause us to shutdown
emotionally. Our participation in this process is 'rewarded' by the satisfying
auditory 'slam' of the book covers as we approach. However, this reward might
simply be the incidental byproduct of a reaction: self-preservation, gentle
denial, or blunt refusal intended to discourage our further interaction.
used in the installation are chosen not for their content but as functional
and symbolic objects; the significance of the text is less important than
communicated by their response to the participating viewer. The behavior of
the mechanical parts is reaction based, triggering a dualistic response of
'on or off', 'open or closed'. At first, the books offer an invitation share
their contents and satisfy the viewer's curiosity but withhold their information
when approached. Although the viewer is denied access to the text within,
they may closely examine the mechanics and technology that animate and hold
the books tightly shut.
was has been exhibited as part of a 2-person exhibition, 'Kryptica', with
US-based, Canadian New Media Artist, Louise McKissick, at The Artemisia
Gallery in Chicago, from September 6th-29th, 2001 and in Mexico City at
the Centro Multimedia, within the Centro Nactional de las Artes from
November 15th-Dec 15th, 2001. Recently, it was part of the group exhibition
'Paradise Refracted', at the Robert McLaughlin Gallery in Oshawa, Ontario,
Canada, from January 17th-March 17th, 2002.